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Novation Summit - Flagship Two-Part 16-Voice 61-Key Polyphonic Synthesizer

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Regular Price: $2,749.99

Special Price: $2,299.99

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Regular Price: $2,749.99

Special Price: $2,299.99

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Overview


- Two-part multitimbral 16-voice polyphonic synthesizer
- Three NCO New Oxford Oscillators per voice
- Analog multimode 12/24dB filter per voice with Dual mode
- Five-octave semi-weighted, premium keybed with velocity sensitivity and aftertouch
- Per-part effects: distortion, chorus, delay and reverb
- Stereo audio-in routable to onboard effects and aux outputs

Details

Update April 2022: New 2.0 Summit Firmware released!

Novation's flagship two-part 16-voice 61-key polyphonic synthesizer

Summit’s digital New Oxford Oscillators offer subtractive, FM and wavetable synthesis, and feed into genuine analog dual filters, distortion and VCAs. The multitimbral engine enables merging and combining of two complete and independent patches, while up to 16 simultaneous voices deliver enough harmonic depth for even the richest of pads

The best sounding synthesizer Novation has ever made

Summit doubles the power of Peak’s digital New Oxford Oscillators up to 16 voices and two parts, and adds a wealth of new features and a premium-quality five-octave keyboard. A synth much greater than the sum of its parts, it gives the serious producer or performer everything they need to design and play stunning basses, leads, arps, pads, effects and beyond

Totally tactile sound design

Summit takes Peak’s architecture and workflow to new heights, with a swathe of extra front panel controls for hands-on wrangling of FM, effects, LFOs and more; dual filters with six LP/HP/BP combinations; audio input for processing external sources with the onboard effects; and auxiliary audio outputs

Analogue where it matters

The true stereo analog signal path comprises dual analog multimode filters, analog VCAs and three stages of analog distortion – pre- and post-filter, and post-VCA. With roots in the legendary OSCar, via Bass Station II, Summit’s analog credentials are truly impressive

Other features:

Two Peaks in one synth - and then some

The 16-voice, multitimbral engine combines two simultaneous patches. Split or stack them for keyboard-divided or layered sounds, or switch the entire synth between two separate and independently controlled setups, perhaps using one as an effects processor for an external input source.

Also, Summit can use all your Peak patches

Novation's best keyboard ever

Five-octave, semi-weighted, velocity-sensitive keyboard with aftertouch – the same premium-quality keybed as introduced with our SL MkIII controller keyboard

New Oxford educated

Digital New Oxford Oscillators are capable of subtractive, FM and wavetable synthesis. Waveforms are generated directly on the FPGA (Field Programmable Gate Array) chip, using 24MHz bitstream processing; and adjustable drift and divergence emulate the inherent and often desirable instability of analog circuits

True analog filters and distortion

The New Oxford Oscillators output to true analog filters, with origins in the classic OSCar synth, and three stages of analog distortion give you ample saturation options

Dual filters

Summit’s dual filter is switchable between six paired combinations of low-pass, high-pass and band-pass modes at 12dB/octave, or any single mode at 24dB/octave, for a broad range of sonic possibilities

Hands-on sound design

Packed with modulation sources for deep sound design – LFOs, envelopes, Animate buttons and more. Extended controls see

FM parameters, envelope loop switches and LFOs 3/4 moved from Peak’s menu system to the front panel, for easy programming and tweaking

Audio in and auxiliary audio out

Hook up external instruments for processing with Summit’s onboard effects, while using it as a synth at the same time

Powerful effects

Onboard reverb, chorus and delay effects are hosted on the FPGA. They’re also controlled directly from the front panel, and available as modulation targets in the dedicated FX Mod Matrix

Firmware v2.0 Features

Stereo

New spread modes, panning per voice, and panning in the mod matrix give additional control and allows for sound design in the stereo field. Now you can create bigger, wider, and more intricately textured soundscapes.

Modulation and unpredictability

Create deeper and more experimental sounds with new mod destinations, noise as a mod source, and additional LFO 3 and 4 parameters. Animate Envelopes and Arpeggiator Chance open more creative performance possibilities.

Effects

New effects, including Chorus Modes, Flanger, and Phlanger add new tonalities. Additional effects modulation destinations open up more experimental sound design. A new Lo-Fi delay mode enables a more vintage style sound.

Bug Fixes

The firmware update v2.0 includes a number of bug fixes. The full details can be found in the release notes.

Free monthly offers from Sound Collective

Sound Collective is a community hub that brings you, Novation and the most innovative software brands together.

If you want to find great virtual instruments and effects, keeping up to date with the constant stream of new releases is essential, and Sound Collective makes it easy, with regular free software downloads and generous discounts on high-end plug-ins.

specifications

SynthEngine

16 note polyphony (dependent on voices used per note)

2-part-timbral

Layered, Split, Dual Bi-Timbral Modes

5 Voice Modes-Mono, MonoLG, Mono2, Poly, Poly2

Per Voice

3 oscillators

1 noise generator with HP filter control

1 ring modulator

2 LFOs

1amp envelope and 2 mod envelopes (ADHSR + looping)

1 filter

Waveforms Include

Sine, tri, sawtooth, square / pulse, plus 43 wavetables of 5 waveforms per row

Filter

1 state variable OTA filter per voice

12/24dB slope

Low-pass / band-pass / high-pass /dual filter (separation of each 12dB filters)

dual filter: LP > HP, LP > BP, HP > BP, LP + HP, LP + BP, HP + BP, LP + LP, BP + BP, and HP +HP

Pre-filter overdrive

Post-filter distortion

Modulation

16 modulation slots per patch·

2 sources per destinationper slot

Mod Sources

Direct (depth)

Modulation wheel

Aftertouch (polyphonic and channel AT)

Expression pedal 1

Expression pedal 2

Keyboard velocity

LFO1 positive

LFO1 bi-polar

LFO2 positive

LFO2 bi-polar

Amp envelope

Mod envelope 1

Mod envelope 2

Animate 1

Animate 2

CV mod input bi-polar

Bend Up

Bend Down

Mod Destinations

Oscillator 1-3 frequency, v-sync level, shape amount and level

Noise source level

Ring modulator output level

Overall synth output level

Filter drive, distortion, cut-off frequency and resonance

LFO 1 and 2 frequency

Amp env / mod env 1 / mod env 2 attack, decay and release

FM Osc 1-> osc 2, osc 2-> osc 3, osc 3-> osc 1 and noise-> osc 1

Osc 3-> filter cutoff frequency

Noise-> filter cutoff frequency

Effects

FX are perpart

Analogue distortion

3 chorus types

Delay with 16 types of delay sync, LP and HP damping, slew and stereo

FX Mod Matrix Source

Direct (depth)

Mod wheel

Aftertouch

Expression pedal 1

Expression/breath pedal 2

Velocity

Keyboard

LFO 1 +/-

LFO 2 +/-

LFO3 +/-

LFO 4 +/-

Amp envelope

Mod envelope 1 & 2

Animate 1 & 2

CV +/-

Bendwheel +/-

Bend up

Bend down

FX Mod Matrix Destinations

Distortion level

Chorus level

Chorus rate

Chorus depth

Chorus feedback

Delay level

Delay time

Delay feedback

Reverb level

Reverb time

Reverb low pass

Reverb high pass

Misc.

FM controls on front panel

Global LFO 3 & 4

Arpeggiator with key latch–33 patterns

Patch storage-up to 512 on hardware (ships with 256 factory patches)

All knobs (excl. volume), sliders and most buttonstransmit and receive MIDI cc commandsfor external control and mapping

Microtuning with Scala table import and table tuning creation

Manual mode

Multi pot mode: Relative, Pot pick-up, Snap

Product Hardware Specifications

50 control knobs

8 45mm sliders

1 volume knob

1 data encoder knob

Rubberised knob caps with spun metal discs

55 function buttons

2 Animate buttons plus hold button

OLED display

Kensington Lock

Power switch

IEC power supply connector

USB socket for system (MIDI comms only, no bus power)

MIDI In / Out / Thru

2 1/4" jack sockets for continuous or switched pedals

1 3.5mm jack socket for CV in

2 1/4" jack sockets for left and right outputs

2 1/4" jack sockets for left and right auxiliary outputs

2 1/4" jack sockets for left and right inputs

1/4" jack socket for headphone output

Metal chassis with American walnut wooden end cheeks

Metal magnetic inset end pieces

what's included
  • Novation Summit
  • USB cable
  • Printed Getting Started Guide
  • Power lead
  • Included Software:
    • Ableton Live Lite
    • Access to the Novation Sound Collective
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