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[Discontinued] Focusrite Scarlett 18i8 USB 2.0 Audio Interface - New Price

Availability: DISCONTINUED

Regular Price: $449.99

Special Price: $299.99

Regular Price: $449.99

Special Price: $299.99


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Overview
The Focusrite Scarlett 18i8 is an 18 in / 8 out USB 2.0 audio interface, perfect for producers and recording artists or bands. Featuring four award-winning Focusrite mic pre amps alongside a flexible array of other input and output options, the Scarlett 18i8 is the perfect match for your expanding recording needs.
Details

USB 2.0 18-in/8-out audio interface with four Focusrite mic presets

At Focusrite, our motto is “Sound Is Everything", and every Scarlett USB 2.0 audio interface exemplifies the importance of sound quality with top-quality precision digital conversion, with, in the case of the 18i8, four of Focusrite’s custom-designed ultra-transparent microphone preamplifiers. With 18 separate inputs in total (and eight independent outputs), 18i8 is perfect when you need to record and a significant number of sources simultaneously. You can also expand the 18i8 for even more recording flexibility. Like all Scarlett interfaces, 18i8 is fully compatible with Macintosh® (including Yosemite®), Windows® and even iOS® (Apple Camera Connection Kit required), and, with the new Red 2 and Red 3 AAX plugins that are included in the package, it’s a perfect partner for Pro Tools®.

Key Features:

  • Four award-winning Focusrite mic pres
  • 18 inputs, 8 outputs
  • Rugged Metal unibody chassis
  • Main monitor control with mute function
  • High Quality 24bit 96KHz audio interface for Mac, PC and iPad
  • Unique Gain Halos
  • Scarlett MixControl ultra-low-latency DSP mixer and router
  • Two headphone outputs with separate level controls
  • Includes Xcite+ Pack: Ableton Live Lite, Novation’s Bass Station soft synth and 1GB of Loopmasters samples
  • Includes Scarlett VST/AU/RTAS Plug-in Suite

Focusrite: 30 years of all-round audio excellence

Focusrite was founded by Rupert Neve in 1985 to create the highest quality mic preamps for Sir George Martin’s AIR Studios. Those classic, sought-after designs have informed all Focusrite mic pre designs created over the past 30 years. The mic pres included in Scarlett interfaces were designed specifically for the purpose, combining the best of our heritage design experience with the latest components and technologies for the most transparent, effective path in and out of your computer. Alongside the preamps at the heart of Scarlett 18i8 is Focusrite’s precision digital conversion, ensuring you get the very best quality for recording and replay alike. Focusrite has been building converters since the introduction of its mastering converter in 1993, and our careful choice of components and equally careful board design and multi-layer circuit boards ensure that you get superior low noise and distortion performance.

18 Separate Inputs

The first pair of 18i8’s four mic pres offer Mic/Line/Instrument on universal XLR/TRS connectors, while 3 and 4 offer Mic/Line capability on universal XLRs. All four are on the front panel and include pads and 48V phantom power. Four more line inputs are provided on TRS connectors. An ADAT optical digital connector provides eight additional digital inputs that can also be used with external mic preamps like Focusrite's OctoPre Mk II to increase the number of mic inputs the 18i8 can handle to 12. A stereo S/PDIF coaxial input is also included.

8 independent Outputs

Two TRS monitor outputs are provided, plus stereo S/PDIF coax and two independent stereo headphone outputs – each with their own volume control, so artist and engineer can adjust their own monitoring settings. No breakout cables are required: all analogue inputs and outputs have their own connectors, and all feature Focusrite precision 24-bit, 96kHz sampling A/D and D/A conversion to get the most accurate signal possible into and out of recording applications on Windows, Mac® and now iOS apps.

Tough, Innovative Hardware

Scarlett 18i8 is housed in a compact red unibody metal case to withstand the rigours of the road – and the studio. Input level controls feature signal halos – LED rings around the level control that give a simple and immediate go/no-go level indication: green means there is a recordable signal while red indicates overload. A large main monitor knob with mute button means that main monitor levels are always at your fingertips.

Polish Your Mix

All Scarlett audio interfaces include Ableton Live Lite recording software, plus two powerful software plug-ins: Red Plug-in Suite and Scarlett Plug-in Suite.

Red 2 & Red 3 Plug-In Suite

The Red Plug-in Suite accurately models our classic Red 2 equaliser and Red 3 compressor, to bring the sound of the famous original hardware to your music software.

Scarlett Plug-In Suite

Scarlett Suite is a professional plug-in suite that provides a definitive suite of compression, gating, EQ and reverb, for tracking and mixing your music.

Software Included:

Included in the package is the Scarlett MixControl low-latency DSP-based software mixer and router, with intuitive one-click presets and Focusrite’s trademark low latency – under 1.4 ms. You’ll also find the Scarlett plug-in suite for VST, AU and RTAS, offering EQ, gate, compression and reverb, plus Ableton Live Lite, the Novation Bass Station soft synth and a Loopmasters sample pack.

Ableton Live Lite

Innovative music production software used by industry professionals all over the world. Ableton Live includes a unique performance feature as well as being a fully functioning DAW.

Scarlett MixControl

An 18 x 8 DSP mixer. Offering a superb level of flexibility, MixControl software enables you to create eight separate mixes with ultra-low-latency.

Scarlett Plug-in Suite

VST/AU/RTAS Plug-in Suite comes in the box, adding Focusrite compression, reverb, gating and EQ to your recording system.

Novation Bass Station

The legendary analogue mono-synth from Novation in software form - AU/VST plug-in for your DAW.

Loopmasters

1 gig of royalty-free samples from the world's leading sample production organisation - Loopmasters.

 

System Requirements

Mac OS X 10.7, OS X 10.8
PC                       Windows 7 (all versions), Windows 8 (all versions apart from RT)
specifications

Inputs and outputs

In
Count Format Connector Details
2 Mic/line/inst Combi XLR Including 2 instrument inputs
2 Mic/line Combi XLR Not including instrument inputs
4 Line analogue ¼” TRS jack On rear panel
2 S/PDIF RCA phono N/A
8 ADAT Optical Lightpipe 4 channels via 96kHz SMUX
16 MIDI 5 pin DIN connector Provides 16 channels of MIDI
Out
2 Line ¼” TRS Jack On rear panel
4 (2 stereo) Headphone outputs ¼” TRS Jack

2 dedicated level dials

2 S/PDIF RCA phono N/A
16 MIDI 5 pin DIN connector Provides 16 channels of MIDI

 

Specifications

Digital Performance
A-D Dynamic Range 109 dB A-weighted (all inputs)
D-A Dynamic Range 108 dB A-weighted (line outputs)
Supported sample rates 44.1 kHz, 48 kHz, 88.2 kHz A 96 kHz
Clock jitter <250 ps
Microphone Inputs
Frequency Response 20 Hz ± 0.5 dB, 20 kHz ± 0.1 dB (min. gain)
THD+N -96 dB (1 kHz, –1dBFS, 20 kHz BW)
Noise EIN –122 dBu CCIR-RMS (measured at 60 dB of gain with 150 ohm termination)
Maximum input level +9 dBu (without pad)
Line Inputs
Frequency Response 20 Hz ± 0.5 dB, 20 kHz ± 0.2 dB (min. gain)
THD+N -83 dB (1 kHz, –1dBFS, 20 kHz BW)
Noise (NiPoS) –105 dBFS CCIR-RMS (measured at min. gain with 50 ohm termination)
Maximum input level > +28 dBu
Instrument Inputs
Frequency Response 20 Hz ± 0.3 dB, 20 kHz ± 0.1 dB (min. gain)
THD+N -83 dB (1 kHz, –1dBFS, 20 kHz BW)
Noise (NiPoS) –103 dBFS CCIR-RMS (measured at min. gain)
Maximum input level +8 dBu (without pad)
Line Outputs 1 & 2
Maximum Output Level (0 dBFS) +16 dBu, balanced
THD+N -99 dB (1 kHz, –1dBFS, 20 kHz BW)

Weight and Dimensions

Weight:1.64Kg
Height:66 mm
Width:227 mm
Depth:180 mm

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